Black and light mark the narrative fields of Henrique Vieira Ribeiro in a dichotomy that represents beginning and end (Genesis and Apocalypse) inserted in an endless loop that questions if the beginning ever existed, or alternatively, if the path is made from the back to the front in a pursue of its source/origin (Apocatastasis).
Allowing our gaze to wander through these premonitory windows is to be carried voluntarily to the consequences of a path defined by the element that never appears